Cut ShortCut-Theatre Workshop for Beginners | Event in NA | Townscript
Cut ShortCut-Theatre Workshop for Beginners | Event in NA | Townscript

Cut ShortCut-Theatre Workshop for Beginners

Jun 21 '20 | 05:00 PM (IST)
Online Event

Event Information

CUT SHORTCUT Theatre workshop
Acting,direction,production
all under one roof
A Workshop

Program Schedule
 1 -INTRO AND ENHANCEMENT
a.Personality Reconstruction
Removal of hesitation with a whole new process of development.
b. Basic elements of acting covered
i.VOICE
Actors on stage perform to sell an idea or product to their audience with their voice,
facial expression and gestures. They demonstrate their enthusiasm with showmanship
not just by reading their speech or delivering a carefully memorized one in a dreary
monotone, but in a passionate rendition that will trigger the same response from their
audience.In public speaking, it is the voice that should be most of all commanding. It
should be clear and loud enough to be heard by the farthest of audience in the room or
hall where you are speaking. Nothing is more frustrating for an audience than having to
strain their ears to hear a speaker who whisper, mumble or stutter and having to pucker
their foreheads to try to understand their perplexing diction.
Your listeners expect and deserve to hear and understand you.
ii EXPRESSIONS
Unless you're just doing voice acting, and even then (because people can hear a smile),
facial expression is a vital part of acting.
An audience absorbs every part of your performance; what you're saying, how you're
saying it, and what you're doing.
facial expression affects how your words are interpreted. they can be the visual
representation of your words, or can be a contradiction of what you're saying. if you
say, 'i'm angry' with a smile, people will know that you're not really angry. or you're being
sarcastic etc. etc. facial expression gives the performance levels.
iii Body language
How good a person is at body language? As you can probably guess, there’s quite a
range. My sense is that what works best as a rule is method acting, in which the actor is
conjuring up the same emotions the character is feeling, usually (as I understand it) by
connecting with events and memories from the actor’s own life. For instance, if I were
playing the part of an athlete who had just lost an important game, I might conjure up my
recollection of losing in the finals of the school spelling bee in 4th grade by misspelling
“chief” (I had trouble with “i before e” for quite a while, partly because of my last name).
Method acting appears to work in part because some of the body language the character
would be showing comes out as a natural expression of the actor’s emotions.
Regardless, a better awareness of body language can help create stronger
performances.
c.STAGE VS CAMERA
Root level differenes between stage and amera ating with different excerises for both
Actors just beginning to learn their craft are not as heavily concerned with finding the
solid difference between stage and film acting. However, as you start to take your career
to a professional level, you'll need to to differentiate between the two and find which style
best suits your niche.
When performing on stage, it is important to remember that your objective is to
accurately tell a story to an audience. While your main focus will be on your scene
partners, you must remember that facing your back to an audience is not an effective
way of delivering your character. Unlike film, you must project your voice much louder
than you would on film.The concept of acting is fairly similar with both styles in that you
want to stay true to your character and their circumstance. Whether you hit your mark on
camera or your line on stage, you need to know the difeerence between theatre and
films.
 2 INTENSE REPAIRING
a.Production
Production management is a sub-division of stagecraft. The production management
team (consisting of a production manager and any number of assistants) is responsible
for realizing the visions of the producer and the director or choreographer within
constraints of technical possibility. This involves coordinating the operations of various
production sub-disciplines (scenic, wardrobe, lighting, sound, projection, automation,
video, pyrotechnics, stage management, etc.) of the presentation.In addition to
management and financial skills, a production manager must have detailed knowledge of
all production disciplines including a thorough understanding of the interaction of these
disciplines during the production process. This may involve dealing with matters ranging
from the procurement of staff, materials and services, to freight, customs coordination,
telecommunications, labor relations, logistics, information technology, government
liaison, venue booking, scheduling, operations management, mending delay problems
and workplace safety.
b.Direction
A director or stage director is a director/instructor in the theatre/film field who oversees
and orchestrates the mounting of a production (a play, short film,an opera, a musical, or
a devised piece of work) by unifying various endeavours and aspects of production. The
director's function is to ensure the quality and completeness of production and to lead
the members of the creative team into realising their artistic vision for it. The director
therefore collaborates with a team of creative individuals and other staff, coordinating
research, stagecraft, costume design, props, lighting design, acting, set design, stage
combat, and sound design for the production. If the production he or she is mounting is a
new piece of writing or a (new) translation of a play, the director may also work with the
playwright or translator. In contemporary theatre, after the playwright, the director is
generally the primary visionary, making decisions on the artistic concept and
interpretation of the play and its staging. Different directors occupy different places of
authority and responsibility, depending on the structure and philosophy of individual
theatre companies. Directors utilize a wide variety of techniques, philosophies, and
levels of collaboration.
c.Action
ACT WITH THE FLOW OF THE WIND
An actor lives his /her own character with the joint efforts of the director.

Venue

This is an online event
CurtainCall Productions and Events cover image
CurtainCall Productions and Events profile image
Have a question?
Send your queries to the event organizer
CurtainCall Productions and Events profile image
CONTACT ORGANIZER
EVENT HAS ENDED
VIEW SIMILAR EVENTS
Have a question?
Send your queries to the event organizer
CurtainCall Productions and Events profile image
CONTACT ORGANIZER
Host Virtual Events with
Townhall
Learn More TsLive Learn more